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• I am artificial intelligence researcher and composer, working with sound, computer science and digital healthcare. UK/Canada based. 

• Co-Director and founder @ Beesting Studios/Lab (London, UK)

• Co-Creator of Scorch a new music programming language

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• Assistant Professor in Artificial Intelligence and Digital Music Production at Toronto Metropolitan University where I am a Co-Director and founder of the Studio for Creative Artificial Intelligence (SCAI). 

• Faculty member of the TMU Creative AI Hub

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• Previously on faculty at Falmouth University (UK), Johns Hopkins University (Peabody Institute), University of British Columbia (CA) and University of Birmingham (UK). 

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• Work funded by UKRI (including Research England, AHRC and Medical Research Council), CFI, Canada Council for the Arts, University of British Columbia. 

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• Award winning composer - highlights include the 2014 Robert Fleming Award for Outstanding Work in Composition

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• Nominated for various composition awards including the 2020 Cinema Honors Outstanding Achievement in Original Music Score 

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• Music and work written about and reviewed in Mixmag, Bandcamp Daily, Hollywood Reporter amongst others. 

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• Research published by MIT Press, CEC, Musicworks, Canada Music Magazine, NIME, AISB, AIMC and more. 

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• PhD (University of Birmingham), Masters (University of Calgary) and BMus (Mount Allison University) and have completed my postdoctoral fellowship training at University of British Columbia in the Music Department and The Institute for Computing, Information and Cognitive Science.

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• Research focused on artifical intelliegnce and live coding/music, digital health care, particularly the use of immersive and artificial intelligence technologies to support and assist with various psychiatric and neurological disorders and issues. I currently work with a team of psychiatrists from the NHS (UK) on divising new innitiatives using AI for dementia care.

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• Founder and director of Xylem Records. Have a look at an interview for Musicworks Magazine on Xylem.

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• Musical practice: Live coding, artificial intelligence, algorave, electroacoustic/acousmatic and live instruments, new instrument design. 

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